We believe every cup of coffee deserves to be treated with care. That care belongs not only in the beans, extraction and temperature, but also on the cup in your hand. Each cup is paired with a work from the current Rhine Gallery selection, so even the same coffee may leave with a different view. It gives your own cup more character and makes coffee for a friend feel like a small gift chosen with care.
01An artwork for the journey
EXHIBITION 01THE CUP EXHIBITIONART FOR EVERYDAY LIFECURRENT ROTATION478 WORKS
FOUNDING PROOFS · 000001—000006
Print Lab
Woodblock, botanical engraving and misregistered risograph—united by ink, grain and imperfect registration.
“Seaweed Tide Clock” uses sun-exposed cyanotype / cotton rag paper to preserve radially arranged seaweed and drift threads forming a numberless tide clock. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Citrus Eclipse Study” uses sun-exposed cyanotype / cotton rag paper to preserve citrus slices and leaf veins forming translucent circular cyanotype shadows. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Laundry Wind Notation” uses sun-exposed cyanotype / cotton rag paper to preserve cloth scraps, clothespins and thread forming a wordless cyanotype notation of wind. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Feather Radio Orbit” uses sun-exposed cyanotype / cotton rag paper to preserve bird feathers, wire and rings forming a light cyanotype orbit. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Paper-Boat Weather” uses sun-exposed cyanotype / cotton rag paper to preserve ten paper boats and raindrop-shaped glass pieces mapping changing weather in cyanotype. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Garden Tool Ballet” uses sun-exposed cyanotype / cotton rag paper to preserve scissors, trowel, gloves and vines leaving cyanotype silhouettes arranged like dance steps. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Two Hands Carry a River” uses sun-exposed cyanotype / cotton rag paper to preserve the cyanotype silhouettes of two pairs of real hands supporting a wave-shaped translucent cloth. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Window Herb Archive” uses sun-exposed cyanotype / cotton rag paper to preserve ten herbs, twine and an old window-frame edge preserving afternoon light in cyanotype. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Swallows Turn the Wind” uses hand-cut katazome / resist-dyed linen to preserve swallows and curved wind bands forming a flowing katazome rhythm. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Radish Night Market” uses hand-cut katazome / resist-dyed linen to preserve daikon radishes, leaves and small lantern shapes forming a lively katazome market pattern. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Catfish Rain Dance” uses hand-cut katazome / resist-dyed linen to preserve three catfish moving through rain patterns and water plants in a folk katazome composition. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Mountain Bus Climbs into Clouds” uses hand-cut katazome / resist-dyed linen to preserve a small bus climbing a steep road into layered cloud motifs in katazome. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Pomelo Family Tree” uses hand-cut katazome / resist-dyed linen to preserve a tree full of pomelos and a ladder forming a warm folk-art composition. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Umbrellas Cross the Field” uses hand-cut katazome / resist-dyed linen to preserve five umbrellas moving like walkers across rice fields and channels in katazome. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Octopus Folds the Laundry” uses hand-cut katazome / resist-dyed linen to preserve an octopus using eight arms to sort towels and clothing in a humorous katazome scene. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Moon Stairs in Bamboo” uses hand-cut katazome / resist-dyed linen to preserve a crescent moon, bamboo joints and stairs forming a quiet night katazome. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Koi Carry Autumn” uses hand-cut katazome / resist-dyed linen to preserve koi carrying maple leaves through wave patterns on dark katazome cloth. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Morning Bicycle Garden” uses hand-cut katazome / resist-dyed linen to preserve a parked bicycle, morning glories and sun motifs composing a fresh katazome textile. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
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ONE FULL-SIZE EDITION
When a work stays with you,collect the full piece
Each artwork is offered as a single full-size physical edition. Once collected, it is marked as privately held: no new physical editions are produced, and the image leaves future cup-sticker rotations.
The work is not limited to coffee and is never tied to a particular drink. A city, shoreline, summer afternoon, dream or odd thought may become the next piece.
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Rhine curates the current rotation
Rhine arranges each rotation by season, visual balance and the available collection, allowing photography, print, painting and collage to take turns on the cup.
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Prepared for print and the cup
Each work is checked again for composition, color and detail at sticker size, then given an artwork ID so the small print retains clarity and texture.
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The artwork travels with coffee
At service, the cup is paired with a work from the current rotation. Its story remains online after the coffee is gone. Cup art depends on current curation and production availability; the artwork received may vary.
PRIVACY BY DEFAULT
The artwork has an ID; your order is not on display
The gallery keeps only the artwork ID, date, style, medium and creative note. It does not publicly connect a work with a particular customer, drink or order.
THE CUP EXHIBITION
Today, your cup brings you an artwork
Every cup deserves to be treated with care—from extraction and temperature to the artwork on the cup. For yourself, it gives an everyday coffee more character; for a friend, it feels like a small gift chosen beyond the drink itself. Artwork follows the current rotation and production availability, so the piece received may vary.