We believe every cup of coffee deserves to be treated with care. That care belongs not only in the beans, extraction and temperature, but also on the cup in your hand. Each cup is paired with a work from the current Rhine Gallery selection, so even the same coffee may leave with a different view. It gives your own cup more character and makes coffee for a friend feel like a small gift chosen with care.
01An artwork for the journey
EXHIBITION 01THE CUP EXHIBITIONART FOR EVERYDAY LIFECURRENT ROTATION478 WORKS
FOUNDING PROOFS · 000001—000006
Painterly Stories
Gouache, wet glass and cinematic light hold a moment of atmosphere, turning the sticker into a scene with a story.
“Hands Peeling a Tangerine” uses observational graphite / colored-pencil accents to preserve two hands peeling a tangerine recorded in graphite with orange pencil accents. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Balcony Dog Study” uses observational graphite / colored-pencil accents to preserve a dog sitting in balcony wind, with fur and railing shadows observed in pencil. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Assembly of Mismatched Chairs” uses observational graphite / colored-pencil accents to preserve seven chairs from different eras arranged through perspective lines and rubbed shading. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Florist Bucket Sketch” uses observational graphite / colored-pencil accents to preserve metal buckets and unruly flowers outside a florist drawn with quick graphite and sparse green pencil. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Study of Goggles and Water Marks” uses observational graphite / colored-pencil accents to preserve wet goggles, a swim cap and poolside water marks rendered in graphite and blue pencil. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Bicycle Chain Repair Study” uses observational graphite / colored-pencil accents to preserve a repairer’s hands, chain and gear recorded with precise structural lines and greasy smudges. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Choosing Greens Together” uses observational graphite / colored-pencil accents to preserve an older couple naturally choosing leafy greens at a market in an observational sketch. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Measuring Afternoon Window Shadows” uses observational graphite / colored-pencil accents to preserve a window frame, houseplant and long afternoon shadows constructed with measuring lines and pale-yellow pencil. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Pigeons on the Library Steps” uses observational graphite / colored-pencil accents to preserve nine pigeons in distinct poses scattered across broad stone steps. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Sailboat Wind Study” uses observational graphite / colored-pencil accents to preserve a single sailboat, sail curvature under wind and water ripples recorded through observational lines. Bleed, seams, scratches and material variation keep the idea tactile even at a small scale.
“Red Tram After Rain” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Three Chairs After Rain” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Orange Horse, Cobalt Shore” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Dancer Behind the Red Curtain” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Pears on Checks” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Black Dog in a Blue Room” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Table Through the Narrow Door” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
“Greenhouse in Night Fog” uses oil-ink monotype on cotton paper to turn an everyday image into a tactile artwork. Brayer streaks, wiping marks and ghost-plate color exist only in a single transfer, keeping the image direct and imperfect.
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ONE FULL-SIZE EDITION
When a work stays with you,collect the full piece
Each artwork is offered as a single full-size physical edition. Once collected, it is marked as privately held: no new physical editions are produced, and the image leaves future cup-sticker rotations.
The work is not limited to coffee and is never tied to a particular drink. A city, shoreline, summer afternoon, dream or odd thought may become the next piece.
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Rhine curates the current rotation
Rhine arranges each rotation by season, visual balance and the available collection, allowing photography, print, painting and collage to take turns on the cup.
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Prepared for print and the cup
Each work is checked again for composition, color and detail at sticker size, then given an artwork ID so the small print retains clarity and texture.
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The artwork travels with coffee
At service, the cup is paired with a work from the current rotation. Its story remains online after the coffee is gone. Cup art depends on current curation and production availability; the artwork received may vary.
PRIVACY BY DEFAULT
The artwork has an ID; your order is not on display
The gallery keeps only the artwork ID, date, style, medium and creative note. It does not publicly connect a work with a particular customer, drink or order.
THE CUP EXHIBITION
Today, your cup brings you an artwork
Every cup deserves to be treated with care—from extraction and temperature to the artwork on the cup. For yourself, it gives an everyday coffee more character; for a friend, it feels like a small gift chosen beyond the drink itself. Artwork follows the current rotation and production availability, so the piece received may vary.